I have a question about using hot press versus cold press paper. It seems to me that you would want cold press paper, because when you are staining and starching the paper, it will absorb more. Once the paper is saturated with the starch and burnished, the surface of the paper would become smooth. Or does it entirely depend on how smooth your cold press paper is? Many watercolor papers are quite smooth, even if cold press. Does anyone have an opinion or preference to relate?
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I do think hot pressed is still best as yes you’re right that cold pressed is more absorbent, but the main characteristic you want in a paper is the smoothness. Hot pressed paper will still absorb enough of the tea stain (or equivalent, in layers) to build up a deep enough colour if that’s what you’re after. When you burnish cold pressed paper it still won’t be as smooth as hot pressed. Having said all that - you can still paint miniatures on cold pressed paper! Just won’t be as small nor as fine as the hot pressed. But then again not all miniatures are small!
Thanks, Vaishali, it makes sense, and I will probably understand better when I have painted very teeny-tiny miniatures!
I hope so! I'm currently testing a load of papers so once I've painted on a few myself, will report back!
Cold press takes a watercolor wash very nicely, but can be like painting on carpet for detail work. For miniature work, I much prefer hot press, and I then burnish it with a muhre. I sometimes spray an additional coat of sizing on it, too.
Fabriano Artistico used to be the very best hot pressed watercolor paper, but it changed a few years back and no longer takes a very fine brush stroke the way it once did and sometimes develops hydrophobic spots. Saunders Waterford Hot Press watercolor paper is pretty good if you burnish it. Wish we had a good reliable source for wasli out here in the US. Since the closure of New York Central Art Supply, we have been bereft. I cherish my stash!
Does anybody have a good source for wasli, or do you all make it yourselves?
Like painting on carpet haha! Now there's a thought... wonder what that would be like! I also like Bockingford and Arches (all hot pressed) and some botanical papers. Khadi: https://www.khadi.com Khadi papers sell wasli. I think they can ship internationally. Vasl = to join together or unite for those of you about to study Persian/Farsi, and it is just a load of papers stuck together, a bit like cardboard. I use it sometimes but prefer thinner paper rather than cardboard nowadays, although I still have some wasli to use both handmade and gifted... I have so much paper to try!
@Vaishali Prazmari Even painting on 300lb Arches HP is like painting on carpet! I once painted a tulip in gouache on it and was constantly battling the fibers. I don’t know why the 300lb HP Arches is so much rougher than the 140lb, which is rather nice. It would take a lot of sizing and burnishing to make the 300lb Arches even remotely useable. You’d have aching shoulders! The Saunders Waterford comes in a 200lb weight which is nicer, I think — thick enough to not warp with a wash but not yet like a board. None of the watercolor papers are as lovely as the old Fabriano, though. That was the pinnacle of European papermaking.
Alas, the wonderful (~140lb) highly burnished wasli from MHK I used to get isn’t even available at Khadi. It had inclusions, beautiful little flecks, and came in a natural color and a mustard color, rubbed with clay. *Sigh* I hope the kagzis are surviving this hideous pandemic. It hurts to contemplate the losses.
By the way, Vaishali, you are a most gracious host. It was a delight to meet everyone, even if just for a brief time. Next time, I’ll get the time right!